Looking for Richard and Looking for Relevance
by Vago Damitio
It would seem that one of the major tasks facing filmmakers and story tellers of all stripes today is to find relevance between the story being told and the lives we lead. This search for relevance is not simply a way to achieve funding and production for a story, it is, more importantly, a way to connect the audience to the tale being told.
The all important connection can be through such obvious means as utilizing current events that the audience is familiar with. This was done to great effect in The Queen, where director Steven Frears reveals the very foreign and bizarre lives of the British royal family during the events which unfolded after the death of Lady Diana Spencer.
Another method might be to set a movie in a well known location. This worked wonderfully in Robert Altman’s classic expose of Hollywood, The Player. There are countless ways to create relevance.
In Looking for Richard, director Al Pacino seeks to show the contemporary world that one of the most important ways to create relevance is through raw human emotions such as greed, envy, jealousy, pride, fear, and the lust for power. Pacino takes his love of Shakespeare to the masses and finds that many of them don’t recognize the relevance of the Bard Poet in the modern world. Rather than simply explaining why the works of William Shakespeare have survived the test of time, Pacino takes Richard III, Shakespeare’s most performed play and breaks it into meaningful bits that clearly demonstrate the relevance to how we feel and think today.